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"Blue Blues Bluesa Nova" is a trilogy of songs using the same lyrics I wrote.
I used 5 of my haikus — ultra-short verses to express a mood, a moment, a remembrance or a just a chant — to create a piece of lyrics of 5 verses.
Based on the resulting lyrics, the possible rythmics could be:
¹ ² ³ ⁴ ⁵ ⁶ or ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁴ and ⁸= [silence]
Here's the lyrics:
LYRICS: OUR BLUE DREAMS
Haiku 1 One million years it seems
Haiku 2 Have gone by since we shared
Haiku 3 Our blue dreams [long silence]
Haiku 4 But I'll hold you again
Haiku 5 There won't be any sad days...
THREE SONGS FOR THE SAME LYRICS
My feelings were that the song(s) should reflect the untemporality invoked by the lyrics. Then I defined for each one of the songs I wished: the tempo, the bpm, the genre etc... in order to make three prompts for Gemini.
Then, my intention is to place the song in three successive period of time of the history of Chicago, since the end of the 19th Century until nowadays.
Prompt 1:
• period: at the beginning of the 20th Century (1890-20s)
• rythm : Waltz
• instruments: Grand Piano with orchestral intro
BLUE WALTZ LONGAGO
Prompt 2:
• period : Chicago Jazz/Blues... between (1920-60s)
Christopher Columbus was the 2nd European Shipmaster to land on the shores of the New World... almost 500 years, after Leif Eriksen.
Then, for two centuries, came other explorers who left their names to many places:
– First of all, of course, is Amerigo Vespucci whose first name was given to the New Continent (America!)
– Then, Verrazano who left his name to a bridge of NYC
– And also Giovanni Cabotto... John Cabot for the King of England, Jean Cabot for the King of France...
Their common point is that they sailed for the kings of Spain, France or England... but never for "Italy" because Italy was not a Kingdom but it was divided in powerful cities-republics like Genoa or Venice, and... puny tiny kingdoms.
MASSIVE ITALIAN IMMIGRATION
It was not before late 19th Century that massive Italian immigration started further to the economical situation of the new re-unified Kingdom of Italy.
ITALIAN-AMERICAN HERITAGE
IN SONGS MUSIC & DANCE
Although it was "late", considering that the Italian explorers took a major part in the early exploration of the New World, this immigration gave to America major artists recognized worldwide.
The posts of this Blog contains already many songs and music of members of the famous Franky's Rat Pack. We can also add other major artists, like:
This article will dig into the legacies of German speaking countries (Germany, Austria, Switzerland, Luxemburg and also other Allemanic regions of Europe like Alsace and Lorraine in France, Lombardy in Italy et many other places) to the domains of music, songs and dances in America and their contributions both to the entertainment industry and to all sub-domains related to Country and Western hobbies.
Unlike the peoples of the countries that colonized North American lands — I mean England, Spain, France, Holland, Portugal — the whole german-speaking population who settled there were immigrants, while among the others were colonists, merchants, soldiers, Royal Civil Servants and of course migrants for some of them.
As in my Blog and Website there should be music, songs and dances all time, let's listen to:
Years ago. when Twitter was just launched, for my bio I wrote : "The geek converted yo haikus." Actually, Twitter posts were limited to 160 characters for tech reasons of these times. So, I decided to post only haikus... my bio remains unchanged! It helped me a lot because with haikus the author could just in few words create a complete atmosphere and its environment.
Years later, I started to write lyrics for songs. All my lyrics are short rhyming verses. My last song, BUFFALO GRASS ON THE AIR, is a real autobio, even my buddy's first name is real❣️ A couple of days ago, I was thinking: "What would it be if I expand it to a kind of a long Cowboy Storyteller's song? So that's what I did with... Copilot or Meta AI — more probably Copil for the words and certainly Meta for the drawing of the two buddies.
Leif Erikson was the first shipmaster to land in America, more precisely in Newfoundland, Canada. It was around year 1021. He is celebrated on Friday 9th of October. Actually nobody knows the exact day he showed on the North of America... The date was chosen for the organized Nordic immigrants, on board of the ship Restauration, were landing in NYC: it was on Oct. 9th, 1825.
So, it was more than seven centuries later that started the immigration of Northern European origins who settled in the USA. However, in percentage of the total population, they were very few¹.
Back to Leif, now: actually the Vikings did not settled definitely. They founded a settlement ar L'Ance aux Meadows in the Canadian Province of Newfoundland.
In fact, the Viking didn't settle in North America but they founded families. And the families returned to Scandinavia. Below is the photos of the statues of:
¹ Approximately between 3% and 4% of the total population have Scandinavian ascendant. Among them, Marylin Monroe, by recognition — her declared father's name was Mortensen — although post mortem DNA tests did not prove he was the natural father.
North Dakota is the state with the most important Scandinavian families, followed by Minnesota, Wisconsin and Michigan.
² Lyrics:
THE SWEDE FROM NORTH DAKOTA
I bane a Swede from Nort' Dakota Work on a farmstead 'bout two yare Tank I go to Minnesota Go to Mi nneapolis to see great fair.
Walkin' 'round the stetreet in Saint Paul Ain't seen no feller anywhere So I yump on streetcar to Minneapolis Bet your life lots Swede men there.
I buy me a suit, I buy me a bottle Dress me up way out of sight, Yunp on the tail of a Yim Hill wagon Yesus Christ! I feel for fight!
I go down to Seven Corners, Where Salvation Army play, One dem vomans come to me This is what dat voman say:
She say, "Will you work for Yesus?" I say, "How much Yesus pay?" She say, "Yesus don't pay nothing" I say, "I won't work today."
So I go back to North Dakota Get a yob on farm somewhere, And I say to all Swede fellers Dey can go to hell with de big State Fair.
I intended to write a Blue Grass song celebrating my friendship with Bob... so I tried to remember what we're the warmest moments we spent together... Here's my lyrics:
A glass of Zubrowska in hand That I drank in one gulp and... Bob telling me his past life in Planes, shooting, shootin' N shootin'... I dreamed that 'twas on a map... While Lynette's having a good nap...
Deep in my heart are the hot and wet summer afternoon, swimming in the bayou with other kids of my age... their moms were on their guard for alligators... but mine was at work. Only unc' Ben sometimes could show some minutes still in his cop's suit and he used to call me as I swimmed far away... Back to the river bank... Unc'Ben had just time to hug me, give a kiss and jump in his Crown and rush.
In this dance, "Of Red and Gold", I'm trying to fit the moves and motion of the dancer with the mood and reminidcence of the singer who is remembering a past love he lost by an autumn day when foliage turns to orange, red and gold, the whirlwind throwing autumn leaves endlessly. It is a phrased choreography but simple: verses of the song — originally a French Poem of Jack Prevert not translated but re-interpreted by Johnny Mercer — alternate the feelings of the singer and the sadness of fall. Joseph KOSMA's music is definitely a jazz ballad. By inserting a choir singing, in background and like in faraway in the past, some verses of the French poem like some classical music, Tony BENETT's cover definitely adds a fourth dimension to this works.
CHOREOGRAPHY BPM: + 78 Rythm: Jazz Ballad Level: Easy Intermediate Walls: 2 5-Phrase-dance: Intro, A, B, C, Outro No tag no restart Weight on: - left foot: WOLF - right foot: WORF
Phrasing Intro-A-A-B-C-B-Outro ▪︎ Intro (instrumental) ▪︎ Phrase A on verses 1 and 2 ▪︎ Phrase B on verse 3 and 4 ▪︎ Phrase C on Choir ▪︎ Phrase B on verse 5 and 6 • Outro At start: WOLF Start with music
INTRO (instrumental) Sad and slow sliding stroll. 24 counts
Section 1 Sliding marche forward 1 to 4: slide foot forward: right left right; slide left foot near right. Sliding marche backward 5 to 8: slide foot backward: right left right; slide left foot near right.
Section 2 ¹ ² ³ ⁴ Slow side step to the right - side step to right, assemble; side step to right, left foot touches right foot (WORF) ⁵ ⁶ ⁷ ⁸ Slow side step to the left - side step to left, assemble; side step to left. right foot touches left foot (WOLF)
Section 3 Jazz-box ¹ Cross right foot over left foot ² Slide left foot to the left behind right foot ³ Slide right foot at the right of left foot ⁴ Drag right foot near left foot Rocking chair ⁵ Rock right foot forward ⁶ Recover on left foot ⁷ Rock tight foot back ⁸ Recover on left foot (WOLF)
PHRASE A: 16 counts On Verse 1 and 2
Section 1 Start Phrase A with Verse 1 Jazz box ¹ Cross right foot over left foot ² Step left foot back left ³ Step right foot to the right side ⁴ Step left foot together next right foot (WOLF)
Side right, touch, Side right, touch. Schuffle left ⁵ Step right foot to right ⁶ Right foot touches left foot ⁷ Step right foot to right & Step left foot against right foot ⁸ Step right foot to right keeping your WOLF
Section 2
Quarter-turn right, marche forward (x3); facing π ¹ quarter turn right foot to right, (WORF) ² Step forward left foot ³ Step forward right foot ⁴ Step forward left foot (WOLF)
Sailor ¼ turn right; shuffle right; facing π ⁵ Sweep right foot with a quarter turn back to right facing 6:00 ⁶ Slide left foot near right foot ⁷ Walk right foot forward & Lock left foot behind right foot ⁸ Slide right foot near left foot (WOLF)
Dance phrase A on verse 1 and verse 2 At the end of Phrase A you're facing 6:00
PHRASE B: 32 counts Dance phrase B • on verses 3 and 4 • and on verses 5 and 6 Phrase B is a lateral sliding promenade
Section 1 Side steps ¹ Slide right foot to the right ² Assemble left foot near right foot ³ Slide right foot to the right ⁴ Assemble left foot near right foot Side shuffles ⁵ Right foot to right side & Assemble left foot near right foot ⁶ Right foot to the right ⁷ Left foot touches right & Left foot to the left side ⁸ Right foot touches left foot WOLF
Section 2 Rocking chair ¹ Rock right foot forward ² Recover on left foot ³ Rock right foot backward ⁴ Recover on left foot Sliding jazz box ⁵ Cross right foot over left foot ⁶ Slide left foot on the back left of right foot ⁷ Slide right foot back aligning it slightly distant of left foot ⁸ Drag slowly left foot neat right foot WOLF
Section 3 Slide drag shuffle to right ¹ Slide right foot to right & Drag left toes against right foot ² Pose left heel near right heel (WOLF) ³ Slide right foot to right & Drag left toes against right foot ⁴ Pose left heel near right heel (WOLF) Rocking chair ⁵ Rock right foot forward ⁶ Recover on left foot ⁷ Rock right foot backward ⁸ Recover on left foot WOLF
Section 4 Front weave ¹ Right foot crosses over left foot ² Step left foot to the left ³ Cross right foot behind left foot ⁴ Step left foot to left side - change weight on right foot Back weave ⁵ Cross left foot behind right foot ⁶ Step right foot to the right ⁷ Cross left foot over right foot ⁸ Step right foot to thr right
PHRASE C: on the Choir The choir is singing, in French, some verses of Jack PREVERT's poem. "Les Feuilles Mortes" — Dead Leaves — sounding like it is a voice from very far away long time ago. This section consists in 8 turns evocating autumnal leaves carried away by a gentle october whirlwind.
32 counts 1 Wall Phrase C is composed of 4 full turns
Section 1 Quarter turn to the right marche(x4) ¹ ² Step right foot to the right, toes facing π Slide left foot near right foot (WOLF) π ³ ⁴ ⁵ ⁶ ⁷ ⁸ Repeat preceeding steps twice, facing π and π
Section 2 Quarter-turn right jazz box (x2) ¹ ² ³ ⁴ Jazz box with a ¼-turn while right foot crosses over left foot ⁵ ⁶ ⁷ ⁸ Repeat preceeding steps.
Section 3 Monterey half turn right (x2) ¹ Point right foot to right ² Half-turn right, left foot together with right foot WORF ³ Point left foot to left ⁴ Assemble left foot near right foot WOLF ⁵ ⁶ ⁷ ⁸ Repeat preceeding steps
Section 4 Quarter turn to the right marche(x4) ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ Repeat Section 1
OUTRO (Short Instrumental) 8 counts Pivot full turn x3 ¹ Step forward right foot ² Pivot ½ turn left ³ Step forward right foot ⁴ Pivot ½ yurn left Repeat twice
####NOTES#### "Autumn Leaves" Lyrics by Johnny Mercer INTRO: 21" Instrumental
VERSE 1 The falling leaves Drift by the window The autumn leaves Of red and gold
VERSE 2 I see your lips The summer kisses The sunburned hands I used to hold
VERSE 3 Since you went away The days grow long And soon I'll hear Old winter's song
VERSE 4 But I miss you most of all My darling When autumn leaves Start to fall
CHOIR
VERSE 5 Since you went away The days grow long And soon I'll hear Old winter's song
VERSE 6 But I miss you most of all My darling When autumn leaves Start to fall
Yesterday I left a π±msg to my Nepalese buddies saying I was on my way for their Sambat Party ~ New Year ~ ... on my way they called me: this year... it was on Sept. 12th because of theπ& the πwere dancing a Java together. Sπ₯, I got in a "bistro" to have a java... And headed back home where my sweetπ , waiting for me, said: "No Java!... no Samba either... let's dance a Bossa Nova".
I TπTOLD HER: "There's a dance that could be danced every two weeks a year...even every week— because there are 25 official New Year's days per year and 27 others non official...
Autumn is falling over the remaining green leaves mixing the colors of our little blissful acres where Tommy has a catnap near his surviving green catnip and...
me
...my memory completely enrapt in Lil Nas' rendition of Billy Ray Cyrus Song,
OLD TOWN ROAD
...still astonished by the hick hops of the
Black Cowboys who counted for ¼ of the "cattle guardians" during the Westward Rush.
Autumn will start in the middle of this week. I've got a post to mark it... but I'm not ready to publish it. Anyway I've also many and nice vibes to share with you, which will appear drop by drop over the course of these new seven days.
In 1941, Bob WILLS recorded "Cowboy Stomp", which was an instrumental on swing music.
COWBOY STOMP
Another "Cowboy Stomp" works was popular more than half a century after, i.e. in the early and mid 90s, but it was not a song but dance steps popularized by Barry Amato, a dance instructor who published the "Nashville Steps Instructional Series Vol. 1", where there was the stepheet
Actually, although this dance was not at all a milestone in the history of Country Line Dance, 15 years after, the "Cowboy Stomp Fever" crossed the Atlantic Ocean and spread over in Latin countries: Italy, Spain and above all France where dance clubs bearing the name "Cowboy and/or Stomp XYZ (in France, often words in Frenglish)" appeared between the years 2006 and 2010! "In a fascinating twist of cultural blending, European dancers transformed traditional low-impact stomps into high-energy jumps, heavily influenced by local regional folk dances like those found in Catalonia."
Moreover, in many European countries—and notably in France—country dance enthusiasts have highly formalized their own codes and dress systems on the floor. This has resulted in a distinct cultural synthesis: a blend of historic American traditions and an idealized, media-driven vision of the New World frontier.
It was on September 14α΅Κ° 1814 that Francis Scott Key was inspired to write the poem "Defence of Fort McHenry". In 1931, part of the poem became the lyrics of "The Star-Spangled Banner", the US National Banner.
The anglicized name of Saint Ailbe of Emly, County of Tipperary, Republic of Ireland... is: ELVIS. He lived in the 6th Century. The Catholic Church celebrates him every year on September 12th.
Almost all media (dictionaries, AI engines, Wiki, etc. say "no connection" with Elvis Presley! However, digging in the Irish etymology of the name Ailbe (Ailbhe in Old Irish, Ailfiw in Old Welsh) gives the hidden keys :π,π:
— π"Ail" means ROCK
— π"bhe" and "fiw" both mean ALIVE
ELVIS = A LIVING ROCK ❣️
And that's very true:Rock N Roll forever!
~~~~~~~~~~~~~~~~
So, the connexion between them is definitely etimologic... Well well... not only!
I found, in a Christian hymm covered by Elvis in a non-commercial record, like a kind of evocation in its title :
ROCK OF AGES
(HIDE THOU ME)
Lyrics & Music
π: Rev. Augustus Montague Written in 1763 Published in 1775 (The Gospel Magazine) πΌThomas Hastings
LYRICS
Oh, Rock of ages, hide Thou me There is no other refuge Can save but thee Through this old world I've wandered so far, far from thee
Then I cry Ooh, rock of ages Hide thou me Hide thou me
My choreography
Title: Hide thou me
Dance on this music
π£π
BPM: + 64
16-count
1-wall
Level: AB
Weight on left goot
Start Section: Rocking chair step:
1 Rock right foot forward while raising arms
2 Recover on left foot, arms down
3 Rock right foot backward while raising arms
4 Recover on left foot, arms down
Core Sections: Kneeling rocking chair steps
1 ¼ turn right foot to the right while rocking it forward and benfing knees, arms up
2 Recover on bended left leg, arms down
3 Rock right foot backward bending back your back, arms up